TECHNĒ is an exploration of how Large Language Models (LLMs) can translate historical vase traditions into hand-knitted pieces. The result is a series of knitted vessels offering a snapshot of what happens when advanced computer algorithms write code for humans in the form of knitting patterns.

The ancient Greek philosopher Aristotle believed that technē, encompassing practical arts and sciences, strives towards the good and always has a goal in mind. TECHNĒ explores the convergence of millennia of craft technological development with a modern chatbot, and the dialogue that emerges between them.

The project is a concrete example of using artificial intelligence as an equal partner in an artistic process. LLMs like ChatGPT4 and Google Gemini are asked to translate a visual language into an entirely different craft and material. It is then up to the maker’s practical intelligence to transform it into a new object with a place in the world. The AI's tendency towards laziness and fluctuating willingness to cooperate, along with the maker’s communication skills and craftsmanship, are crucial to the final forms created.

TECHNĒ presents ten selected artifacts from various cultures and periods in history, which AI has been allowed to interpret. The artifacts include an ancient Greek jar, a Chinese Mei P’ing vase, and a Peruvian jug shaped like a trophy head.

The hand-knitted vessels have been given functionality back through the use of modern casting materials like epoxy and Jesmonite, which solidify the soft yarn into firm shapes. In this part of the process, some control is relinquished to the materials too.

The works are named "TechnoAntiquities." "Antiquity" refers to the reuse of form, which also serves as a sustainability principle in the project. "Techno" refers to the technological processes the vessels have undergone. This title was developed in conversation with ChatGPT4.

Through the exhibition, the TechnoAntiquities are presented as speculative objects for reflecting on the cultural and ethical impact of technology on contemporary society. They are displayed alongside the story of their origins, visualized in the exhibition space and published in book form.

View the research publication:
“TECHNĒ —or How to Utilize Long Language Models to Revive Historical Forms and Challenge Contemporary Aesthetics”

Photos: Christian Brems
Poster: Andreas Korsgaard Rasmussen